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BMPCC 6K S35 raw camera, war on Z-CAM
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    Specs

    • 23.10mm x 12.99 sensor with 13 Stops DR
    • Resolutions
      • 6144 x 3456 (6K) up to 50 fps
      • 6144 x 2560 (6K 2.4:1) up to 60 fps
      • 5744 x 3024 (5.7K 17:9) up to 60 fps
      • 4096 x 2160 (4K DCI) up to 60 fps
      • 3840 x 2160 (Ultra HD) up to 60 fps
      • 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
      • 2868 x 1512 (2.8K 17:9) up to 120 fps
      • 1920 x 1080 (HD) up to 120 fps
    • 1 x CFast card slot, 1 x SD UHS‑II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
    • $2495 US
    • https://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera

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  • 32 Replies sorted by
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  • This is interrim to ursa mini pro 6K and FF 8K models if I were a betting man. Nice. This might nuke the Komodo too...

  • PR

    BMPCC 6K Main features

    • Use for independent films, documentaries, blogs and more.
    • Designed from carbon fiber polycarbonate composite.
    • Multifunction grip allows single hand operation.
    • 2 models with 6K at 6144 x 3456 and 4K at 4096 x 2160.
    • Compatible with MFT or EF lens mounts.
    • Wide 13 stops of dynamic range for film looks.
    • Up to 25600 ISO for incredible low light performance.
    • Records full resolution up to 60 fps or 120 fps windowed.
    • Standard open file formats compatible with popular software.
    • Built in SD, UHS-II and CFast card recorders.
    • Features incredible quality Blackmagic RAW recording.
    • Built in 5" touchscreen allows accurate focus when shooting 6K.
    • Blackmagic OS as used in URSA Mini and URSA Broadcast cameras.
    • Includes Blackmagic Generation 4 Color Science.
    • Features full size HDMI for monitoring with status overlay.
    • Professional mini XLR input with 48 volt phantom power.
    • 3D LUTs can be applied for both monitoring and recording.
    • USB-C port allows recording directly to external disk.
    • Built in timecode generator for sync muli-camera shoots.
    • Supports still frame capture up to 21.2 megapixel.
    • Localized for 11 popular languages.
    • Supports remote camera control via Bluetooth.
    • Powers via 12V DC input and can recharge via USB-C.
    • Includes full DaVinci Resolve Studio for post production.

    Blackmagic Design today announced the Blackmagic Pocket Cinema Camera 6K, a new handheld digital film camera with a full Super 35 size 6K HDR image sensor, 13 stops of dynamic range, an EF lens mount and dual native ISO up to 25,600 for incredible low light performance. This new model builds on the popularity of the Blackmagic Pocket Cinema Camera 4K but has a larger Super 35 sensor size with 6K resolution, allowing higher image quality. The EF lens mount model works with a wide range of lenses from companies such as Canon, Zeiss, Sigma and Schneider.

    Blackmagic Pocket Cinema Camera 6K is available immediately from Blackmagic Design resellers worldwide for US$2,495.

    The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at their fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions.

    Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets customers use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects. This means that customers can shoot in 6K and then in post production zoom and re-frame to allow wide shots and close ups to be created, all from a single camera and without losing image quality.

    Blackmagic Pocket Cinema Camera 4K and 6K both have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows customers to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Customers even get more colors than the standard DCI-P3 colorspace used for feature films.

    The Blackmagic Pocket Cinema Camera features dual gain ISO up to 25,600, which means both the 4K and 6K models are optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The gain is set automatically as they adjust the ISO setting on the camera, so it's easy to capture great images when they don’t have time to set up lights.

    The new 6K model will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates they can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. Customers can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104.

    Blackmagic Pocket Cinema Camera records using standard open file formats so customers don’t have to waste time transcoding media. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Best of all media files work on all operating systems plus customers can format media cards and disks in HFS+ for Mac and ExFAT for Windows.

    The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. Customers can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card.

    Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from their camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives them stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so customers can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with.

    The rear of the Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for customers to frame shots and accurately focus. It’s like getting a built in Blackmagic Video Assist with their camera. The touchscreen displays critical information while shooting, as well as menus for setting up the camera and intuitive touch to focus controls. On screen overlays show status, a histogram, focus and peaking indicators, levels, frame guides, playback controls and more.

    With the advanced Blackmagic OS, customers get an intuitive and user friendly camera operating system based on the latest technology. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. Customers also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.

    Featuring the same Generation 4 Color Science as the high end URSA Mini Pro G2, the Pocket Cinema Camera delivers stunning, accurate skin tones and faithful color in every shot. Blackmagic Generation 4 Color Science uses a complex dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, so they get better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which customers can use in post production.

    The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector.

    Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow customers to apply a "look" to the monitor so customers get an idea of how the finished images will look like when editing. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or customers can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.

    Professional cameras include professional features and customers also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all the new DaVinci Resolve 16.1 will automatically find and sync the shots from all cameras so they don't need to waste time sorting through thousands of shots.

    The Blackmagic Pocket Cinema Camera uses standard removable LP-E6 type batteries and also features a locking DC power connector so they never have to worry about losing power in the middle of a shoot. The included AC plug pack can power the camera and charge the battery at the same time. The USB-C expansion port can also be used to charge the battery from portable battery packs, mobile phone chargers or a laptop computer. Customers can even add an optional Blackmagic Pocket Battery Grip that lets customers use 2 batteries to dramatically extend the power of the camera.

    Blackmagic Pocket Cinema Camera 4K and 6K models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features a revolutionary new cut page with intelligent editing tools and innovative new features designed to help customers quickly find the footage customers want, edit it together and output it fast. In addition to the new cut page, customers also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application.

    "The Blackmagic Pocket Cinema Camera 6K features incredible new 6K imaging and EF lens support that customers have asked for," said Grant Petty, Blackmagic Design CEO. "It has all of the great features customers love from the 4K model, but now adds an EF lens, increased 6K resolution for even higher quality images and more. Plus, with the built in Video Assist features, customers don't have to purchase and carry around extra equipment. DaVinci Resolve Studio is also included, making it an incredible all in one solution that enables anyone to be creative and tell a story."

    Availability and Price

    Blackmagic Pocket Cinema Camera 6K is available now for US$2,495, excluding duties, from Blackmagic Design resellers worldwide.

  • Any news as to which sensor and crop factor?

  • @DrDave Cant tell about the sensor but the crop factor relative to FF should be : 43/sqrt((23.1)²+(12.99)²) :p

  • I don't think this is very impressive at all. same dynamic range as bmpcc? i hope they're joking. That one used the same sensor as the gh5s which is pretty low. My money is on the sony sensor used in the panasonic s1. at 10 bits, it has no price comparison and its dynamic range is about 2 stop better than bmpcc or this one (which seams to simply be a larger version of the old sensor, not a better one)

  • What drives me nuts with these pocket small form cameras is none have a global shutter!!!!! It means by the time you rig it up you may as well have a more bulky camera. The consumer market is showing the way in this are with the Olympus IS which is almost as good as a gimble. The URSA has a global shutter, it can be done. Its a shame cause these cameras real niche is documentary handheld run and gun and they keep failing at this. I will happily lose a bit of Dynamic range for a global shutter before anyone says it and I will pay more for it too.

  • Agreed, global shutters are long overdue.

  • The effective sensor size of the Blackmagic Pocket Cinema Camera 6K is 23.10mm x 12.99mm with a resolution of 6144 x 3456 (16:9 aspect ratio). In terms of horizontal field of view, this would be a 1.55x crop compared to shooting 16:9 on a full frame (36mm x 24mm) sensor.

    This is a bit higher in resolution than the 23.5 x 15.6 mm sensor (6000 × 4000 pixels) used in the Sony a6500 and a6400. It's pretty similar in specifications to the 23.5mm x 15.6mm sensor (6240 x 4160 resolution) used in the Fujifilm X-T3.

    The Fuji X-T3 was speculated to be using the Sony IMX571 sensor (https://www.sony-semicon.co.jp/products_en/IS/sensor2/img/products/IMX571BQR_Flyer.pdf), which has a pixel size of 3.76 μm. If you use that pixel dimension with a resolution of 6144 x 3456, you'll end up with exactly the same effective sensor area as quoted by Blackmagic (23.10mm x 12.99mm). So it's possible that Blackmagic is using the same sensor, but just cropping in a few more pixels from the edge to get to an even 6K (1024 x 6 = 6144) resolution.

    That sensor has a maximum full resolution (6244 x 4168) read-out speed of 48.42 fps, but perhaps by cropping the vertical resolution to a 16:9 aspect ratio, the sensor is able to achieve a 50 fps readout (which is the highest full resolution frame rate supported by the Blackmagic Pocket Cinema Camera 6K).

  • MFT and 1.5 crop? One more interesting thing is autofocus. If it's like fuji, I am all in.

  • @davedv

    So it's possible that Blackmagic is using the same sensor, but just cropping in a few more pixels from the edge to get to an even 6K (1024 x 6 = 6144) resolution.

    If BM will start using Sony sensors it will be big changes for industry.

    Despite all fake openness all advanced large sensors are guarded by Japanese manufacturers and no way you can simply get them for making your camera, except if it is small batch niche thing or industrial stuff.

  • @suresure123 Blackmagic already noted few years ago that global shutter mode was degrading image quality on URSA 4.6K so much that they had to disable it. ( By the way they are using their own sensor on that camera. )

    Most professional cameras, including ARRI ALEXA and all flavors of RED use rolling shutter sensors, because they have better DR. It’s not a matter of having rolling shutter or not, it’s readout speed of the sensor what really matters. With fast readout you effectively reduce rolling shutter to barely nothing

  • same crappy battery life

  • This is crazy. Here P4K orders are at a slow pace and they've announced a 6K version. Wow. I like the thought of a S35 though and I have some EF glasses. I'll wait a little bit until they're selling - we're still at the P4K order fatigue, I think. ;-)

  • Blackmagic did release the Production Camera 4K years ago. It had a global shutter. Too bad they never made an updated version with 4K 60p.

    It can be had for under $1,000 used now.

  • The footage I haves seen from this camera looks better to me than 4k. The motion cadence is much improved, it does not have that video look the 4k version have in some videos.

  • Unsurprisingly, looks just like the 4k version. Not sure if SLIGHTLY bigger sensor justifies the hike in price and the hassle with much bigger files.

  • @brudney

    Rumors are that we will see real 6K, smaller, with FF mirrorless mount and around 50% better battery life and better thermals at NAB 2020. BM told to early testers that they just need to close the gap to prevent competition from gaining sales, so it is little rushed.

  • Interesting, any rumors on which mount they intend to use?